Saturday, 26 February 2011

10CC Live: 'BBC In Concert 1974'

As promised a while ago, here's the fabulous 10CC in concert for the BBC in 1974. It's a good quality dub and it sounds fantastic - the Guitars on 'Silly Love' rock along in a very pleasing manner. It was recorded on 21st August  1974 at BBC Shepherd's Bush Studios - check the audience for some lovely fashion notes!

(Wall Street Shuffle)

I dont know what else to say, other than YOU NEED THIS. It's in four parts, which you'll need to unpack and it'll magically become just under thirty minutes of aceness. Ain't technology cool? If you want to burn it to DVD, I've included a cover, too.

Thanks to martiblatfa and annagranfors over at thebox/bz for the original file and cover design.

Oh yeah, stay tuned for some VERY exciting 10CC stuff in the near future...fingers crossed!

Thursday, 24 February 2011

Nyack: 11 Track Player etc

One of the great things about working in a record shop was the fact that you had access to bazillions of records…not all of them great, but there were gems lurking if only you knew where to look. I was the ‘indie’ guy at the store…anything that wasn’t Top 40 or Dance/Soul got passed to me to veto and sometime in 1995 ‘Savage Smile’ was wafted under my nose…and it smelled like victory. It was my single of the year by a country mile. I cannot tell you how good it is, from it’s Uber-Fuzz intro to it’s heavy-plectrum bassline to it’s candyfloss melody to it’s delicious middle eight….hey, I’m a fan.

Nyack’s profile is low. Very low. But their one and only CD, ’11 Track Player’ is just amazing. Yep, it’s shoegazey, but the songs are powerful and melodic and have a purpose and sense of direction lacking in a lot of bands in that genre. Imagine a loose-limbed Smashing Pumpkins or a cheerful My Bloody Valentine and you’re kinda in the ballpark. Nyack don’t rely on their stomp-boxes to do all the work as they’ve stuffed hooklines into the swirling, fuzzed out tunes and topped it all with some Ultra-Pop melodies and a well placed harmony or two. Maybe they were too late for a pigeonhole or too early for one, but why this band fell by the wayside is both criminal and baffling. There are always cheap copies of the album kicking around the web…the going rate on Amazon at the moment is 1p. That makes me sort of furious. If you download the album and like it, you HAVE to buy it. Dig a little deeper on the WWW and you’ll come up with a reference or two  to the first incarnation of the band - Aenone.

I’m gonna point you to the Nyack MySpace (remember MySpace...?) for biographical details and tip my hat to Wilfully Obscure for filling in the gaps in my Pre-Nyack collection. Thanks to W.O, I’ve been able to include the Aenone EP ‘Saints and Razors’ and their demos to give you a sense of where they came from. It’s all good. For the sake of completeness (we like completeness, don’t we?) I’ve included their version of Heart’s ‘Barracuda’ (from Echo Records 1996 compilation ‘Drink Me’ – also 1p on Amazon) along with the extra tracks from both their CD singles.

I have a dream. I want to be able to say how much I love Nyack to somebody without them replying ‘Who?’

Tonight, we’re gonna party like it’s 1995.

Go Betweens: Whistle Test 1986

I just thought I’d share this with you fine people in BPFE-Land. I’ve just bought a doohickey (£30-odd quid for something that looks like it fell out of a cracker..?) which digitises yer old VHS tapes…remember when NICAM was the future? Who knew? Who knew? This means I’m spending far too much time looking at compilation tapes I made in the 80s. Annoyingly, most of the stuff I have is up on YouTube already, but I couldn’t find these two gems, so here they are.

I loved the GoBetweens, in spite of Robert Forsters’ bizarre ‘Dallas’* fixation. This Whistle Test footage shows ‘em in fine form. There’s so much good stuff here – Robert Forster’s trousers! Robert Vickers playing with a thumbpick! Amanda Brown’s frock! Lindy Morrison’s drumming! Sometimes with a tambourine on the snare! Lindy Morrison! (Sorry, just having a small, mid-life crisis there). It’s bittersweet to see the late Grant Mclennan in action. What a loss he was to music. 

So have a wallow in the lovely eighties-ness of it all. 

(Head Full Of Steam)

(Apology Accepted)

(This is especially for the lovely Ralph Dodger from ‘Shoulda Been Huge’ - now that’s a guy who knows his quality Antipodean Pop).

(* It was actually 'Dynasty' that Mr F obsessed over - he grew rather fond of Blake Carrington, I believe....) 

Wednesday, 23 February 2011

Bonzo Dog Band: Return To Jollity Farm

...a bit off topic, but hey - my blog, my rules...
What's not to love about the Bonzos? Great tunes, a sharp eye for a parody and snappy dressers to boot. My introduction to their work (apart from 'I'm the Urban Spaceman') was via Paul Burnett's 'Fun at One' spot sometime in the seventies - for younger readers or those of you not from this green and pleasant land, Paul Burnett was the lunchtime 'jock' on wunnerful Radio One. At 1.00pm he took a break from spinning Slik, Brotherhood of Man and Peters and Lee to play something funny...oh, the irony. Anyhoo, he finally got round to the 'The Canyons of Your Mind', which left me breathless with mirth. The guitar solo in particular caused me to choke on my Crispy Pancakes. I was lucky enough to see them on their post Viv reformation tour thing a few years ago and far from being the embarrassing trudge through the hits to top up the pension I'd feared it to be, it was a warm celebration of some of the greatest musical comedy of the last fifty years. Fair brought a tear to the eye it did. Neil Innes is still touring and is heartily recommended by all at BPFE towers...which is just me, really.

"Canyons Of Your Mind"

Here's a nice BBC Radio 2 doc from March 1997  - lots of insight and ace narration from Neil himself. 

If you don't like the Bonzos, you can't be my friend. 

Music returns to BPFE at the weekend....

Sunday, 20 February 2011

Bill Nelson's Red Noise: Live and B Sides

It was never a dull moment being a Bill Nelson fan in the 70’s. Starting off with the back-bedroom Bowie meets Jean Cocteau stylings of ‘Axe Victim’ through the Prog-Pop of ‘Futurama’ and ‘Sunburst Finish’ – throw in an almost but not quite concept album ‘Modern Music’ and finish up with the inevitable live album. So far so good you might think. And then along comes ‘Drastic Plastic’. The Guitar freakout quota falls dangerously low…and does that look like a ‘New Wave’ album cover? Oh my…And the bloody keyboard player is wearing a V-Neck jumper on the back cover!

You have to blame Bill Nelson for all that (apart from the jumper). An overactive, overachieving Guitar hero with ADD, he can’t stay in one place long enough for anyone to stick him in a corporate pigeonhole, which in my world is A Very Good Thing. It does tend to confuse people tho’…

Red Noise was Mr Nelsons stab at going ‘contemporary’. Gone were the florid Pre-Raphaelitisms of Be-Bop – the rhythms are as rigid as a marching band and ultra-staccato. On their one and only album, the brilliant ‘Sound On Sound’, he is the rhythm section for half of it – playing Bass and Drums a la Todd R. He does a decent job too.

(Here's a little sampler of 'Sound On Sound' by avs002)

Red Noise had ‘planned obsolescence’ written all the way through it like a stick of Blackpool rock. They lasted one album and tour, before Bill was off on a solo thing. The next album he did - ‘Quit Dreaming And Get On The Beam’ - had a Red Noise leftover or two, but lacks the manic energy of it’s predecessor. And then, thanks to the improvement in home studio technology, he retreats to his back-bedroom (or equivalent), buys a Marimba and gets the next bus to noodletown. Some of his more ambient stuff is lovely, but I remember at the time, all I wanted was the onoff stopgostop of Red Noise.

Before you do anything else, if he haven’t already got ‘Sound On Sound’ you need to buy it. There is no excuse…it’s cheap too. Then, when you’ve calmed down after listening to it, you can download this stuff. Here’s a BBC live recording from Sheffield. 30 minutes (ish) of amazing music, with a BeBop tune thrown in (relax, it’s not ‘Ships In The Night’ although they did do that on a couple of dates…) I’ve also included the bonus tracks from their two singles – ‘Furniture Music’ and ‘Revolt Into Style’. The first single (on red vinyl, no less) was backed with two tracks which actually ‘swung’ a little, which means they would have stuck out like a sore thumb on the album. ‘Revolt Into Style’ was backed with two live tracks from their gig at Leicester De Montford Hall on March 8th 1979. This begs the question WHERE’S THE REST??

EMI dropped the ball bigtime when this got reissued…lack-lustre packaging and no extra tracks. Bah humbug.

Enjoy…and file under absolute-a-go-go

PS...if you need more persuading to grab 'Sound On Sound', then this HAS to do it - an appreciation from the beautifully named Seth Man from Mr J Copes awesome 'Head Heritage' site. Read it here.

Friday, 18 February 2011

Matthew Sweet: Supervixen

(The trials and tribulations of a Blogger Pt 42542 - this post should have been for a promo CD called 'Goodfriend' but I then found out it's available as disc 2 of the Legacy edition of 'Girlfriend' - note to self...must try harder)

Matthew Sweet needs no introduction, but he’s gonna get one anyway. He’s had quite a chequered career, released armfuls of amazing recordings, had tunes in blockbuster movies, recorded with members of The Voidoids, The Attractions and Television, Richard Carpenter and my second favourite Bangle. From being ubiquitous, he now rarely lifts his head above the parapet and releases stuff sporadically…it’s still great tho’.

Whenever I think of Sweet now, my mental image is that of Charles Foster Kane, brooding in Xanadu struggling with unknown demons …or sometimes Howard Hughes, strangely haunted by his own prodigious talent. Or he could be on the sofa, eating chili and watching sports while the residuals pay the bills. That’s probably the truth.

The InterWeb is awash with MS stuff…his every utterance is available on some shady release or other. And here’s another. This is a collection of demos for his breakthrough release 'Girlfriend' including a whole bunch of stuff that didn't quite make the cut. It's ace.

This man is capable of so much. Let’s see some more …please?

...and was he really asked to join the 90’s version of Big Star?

…and my favourite Bangle was Michael Steele, in case you were wondering.

Thursday, 17 February 2011

The Mutton Birds: Too Hard Basket + Angle Of Entry (and Marshmallow)

Crowded House have always been a bit of a guilty pleasure at BPFE towers. I like to think I’m down with ‘The Kids’ (in a dignified, forty-something kinda way). I know my ‘Avenged For My Valentine’ from my ‘My Chemical Hannah Montana’ or whoever, but I still love ‘The Crowdies’ (jeez, even their bloody nickname sounds twee). And it’s through them, I discovered the Mutton Birds, via a Neil Finn production credit.  The CD in question was ‘Nature’ - a Mutton Birds compilation drawn from their first two albums. Thanks to a worldwide record deal with Virgin, The MB’s left their native New Zealand, moved to the UK and starved for two years before splitting up. Sound familiar?

Anyhoo, I loved ‘em. Frontman Don McGlashan is an incredibly good songwriter (a kind of cheerful Mark Eitzel) and their albums are stuffed with bostin’ tunes as we say in Dudley. I urge you strongly to grab ‘Envy Of Angels’, ‘Rain, Steam And Speed’ and anything else by them. They were also terrific live – McGlashan was always great value and the band were spot on.

These two albums are limited edition fanclub dealio’s. I’ve trawled long and hard (insert smutty joke here) and can find no trace of ‘em for sale, so here they are. “Too Hard Basket” is a compilation of ‘B’ sides and non-album stuff and ‘Angle Of Entry’ is an acoustic Live CD recorded in London in July 1997. Guess what? Both are great.

So if you like intelligent pop with a whistleable tune and a well-tooled turn of phrase, press them buttons now. Satisfaction guaranteed.

( Ooohhh, before you go, I must tell you about MARSHMALLOW. They were formed by MBs Bassist Alan Gregg  - writer of a handful of ace tunes whilst in the band. They released a self titled album in 2003 and it’s as good as anything the MB’s did. I think it’s still available (try this link), so I’m not gonna post it, but here’s a video to tempt you. ‘Anytime Soon’ is a gorgeous, five star hookfest that’ll eat it’s way into your brain, move the furniture and change the settings on the radio. A warning for diabetics tho’ – some of the lyrics are a wee bit sugary, but hey – we like PowerPop don’t we? A genre not normally noted for Kafka-esque insight into the human condition…)

Marshmallow: 'Anytime Soon'

...hang on!- I need to mention a great Mutton Birds and related site - 'A Religion Of A Kind' - your one stop shop fer all yer Mutton Birds needs...

365 Bands In 365 Days

Commitment. That’s a serious word. Scary, even (ask my wife…) So to commit to do something on a daily basis for an entire year…now THAT’S commitment.

Meet Adelle. She started a blog on January 1st this year and it’s called ‘365 Bands In 365 Days’. It doesn’t take a genius to work out what she’s doing there, does it? Now it may be because of my advanced years, but I can scarcely make a commitment to put on my trousers on a daily basis, let alone write a blog... what if you’re poorly? At the Zoo? Bad hair day? (that last one no longer applies to me I’m afraid to say…). Well, she’s got to mid-February and she shows no sign of stopping. She’s covered some great stuff (Electric Prunes! Camper Van Beethoven!), some classic stuff (Little Walter! Toots and the Maytals!) And some stuff I’ve never heard of (er…Vandaveer?). She’s got a great format for her posts – a bit of data, followed by a paragraph or two of anecdotage. It’s funny and clever, which is a great combination.

Only Adelle is gonna love everything on the blog, but I know you’re a broadminded hipster (or else why are you reading my blog?) so you might get turned onto something new.

Adelle’s made a committment…now it’s your turn.

Sunday, 13 February 2011

Bonus Game Theory/Loud Family Post!

Well you've probably seen Angelo's GT/LF post over at the ever fabulous Power Pop Criminals an appendix to that, here's a rarity or two that he couldn't post. Most of them are from the Loud Family site, the rest coming from tribute know, that sort of thing.

I do feel a little bit bad about this, as he's done kick ass covers and everything and mine are just files....but hey, watchyagonnado?

So bolt these to Angelo's stuff and wallow in the incandescent glory of Scott Miller. The stuff he throws away, mere mortals can only strive for.

Saturday, 12 February 2011

Spinal Tap: Classic Albums

Let's go off topic for a moment, shall we...

Here's a little experiment you can do at home. Invite three or more musicians over thirty to a dinner party (after first concealing your valuables and putting a combination lock on the drinks cabinet). Get the conversation around to the movies...I guarantee that in less than five minutes, one of them will mention 'This is Spinal Tap'. The rest of the evening will consist of nothing more than endless quotes from the film, followed by drunken demands to watch it. Half way through the film, (if you're brave or daft enough to run it) the Drummer will have passed out (possibly in a pool of his own fluids), the Guitarist will be pausing the movie and saying things like 'I had one of those...nice action' and the Bassist will have left with the rest of the snacks and whatever valuables he could fill his pockets with.

Time and over-familiarity have slightly diminished the whole Spinal Tap thing, but when it first came out, it sent shock waves around musical circles. I saw it (along with three other people) at The Triangle in Birmingham on its release and it was the funniest thing I had ever seen. I can't help but giggle whenever I hear about pieces written in D minor...

Anyway, to get to the point, this is a fake 'Classic Albums' radio broadcast, featuring 'The Black Album' hosted by BBC Radio One's Richard Skinner. It's played absolutely straight and features, Derek, Nigel and David in conversation about their greatest achievements. It was issued on a promo cassette at the time of 'Break Like The Wind'. It's funny as hell. And here it is.

And don't forget...'You can't dust for vomit...'

Friday, 11 February 2011

REM: Birmingham Powerhouse, 27 10 85


I'm amazed it's taken me this long to get around to posting something by REM...

I started working for A Major Record Chain in '85, and I'm not ashamed to admit that I was a Metalhead. My first purchase (ohmygod - staff discount!) was the shaped picture disc of 'Lay it down' by Ratt. Happy days. As documented in 'Rushbo's Guide' elsewhere on this blog, I ended up in a band. And that band was all about REM. I bought 'Murmur' to get an idea of what I should be playing and from that day onwards, my taste in music changed forever. I played it constantly for about two months, only pausing to try out REM and Paisley Underground related stuff. Ratt sounded like it was from another planet after that. And it probably was.

This gig (which I missed by about a month or two, my epiphany coming in Feb '86) was at the legendary Powerhouse in Brum. How sticky were the floors? It's a pretty typical example of a mid 80s REM setlist, with a lovely, random feel to it, some oddball covers and a bit of Stipe chat. It's a decent audience recording - there are a couple of edits, but nothing too scary. I'm posting this as a tribute to the band that changed my life and one of my favourite venues...sadly missed.

The next time they played Birmingham, it was the NEC.

I heard 'Lay it down' on the radio the other day. Good tune.

Part 1

Part 2

Wednesday, 9 February 2011

Green On Red: No Free Lunch (1986)

Green on Red live were a mercurial, tight-sloppy rag-bag of contradictions - the unassuming Guitar maestro rubbing shoulders with the loose cannon singer, backed by a solid (if impermanent) rhythm section. Sparks of brilliance would fly, often followed immediately by astonishing pratfalls. Just like real life. In short, they were a must-see. The studio albums were a different thing...the songs were always great, but they just lacked the 'could go either way' edge that their live performances had in spades. And this is me trying to convince you to download a studio album...what a salesman. IMHO (as the young people say) this is the most consistent and convincing of their studio albums. There isn't a duff track on it. The band were writing fantastic material and this combined with a well chosen Willie Nelson cover add to make a quiet landmark of a record. And some genius has deleted it. If I was a diligent Blogger, I'd check all the 'best ofs' to see if these tunes are available somewhere, but I'm feeling slightly jaded today, so do yer own research...what do you want from me - blood?

For your delectation laydeez and genlemen here is a rip from the original cassette release. Why cassette? Well, someone thought it would be a good idea to include a 13 minute version of 'Smokestack Lightning' as an incentive to buy the album on that format. It ain't an essential addition to the repertoire, but it's entertaining enough.

Somewhere, Dan Stuart is (hopefully) still writing kick-ass tunes, drinking a sensible amount of hard liquor and planning his return. We miss you, man....

Enjoy this.

No Free Lunch

PS...I played 'Keep On Moving' in the first gig of my first band...Hi Darrall!

Sunday, 6 February 2011

Alternate Learning: Painted Windows

What were you doing in your teens...well, apart from that? Well Scott Miller was on his second band (after disbanding the beautifully named Lobster Quadrille)...

I was delighted that there was a lot of love for the Loud Family/Game Theory posts earlier this year, so here's one of the rarest Scott Miller artefacts around - 'Painted Windows', the one and only release by Alternate Learning (or ARLN as they're known to the cognoscenti ) Miller is pretty disparaging about the band, considering it to be 'juvenilia', but he has revisted the albums' stand out track 'Beach State Rocking' on a number of occasions live and re-recorded it for the compilation 'Tinkers To Evers To Chance' It's not dated too well, but there are some great songs on here, just hinting at what lay just a little further down the road.

There's more Miller related goodness scheduled here at BPFE, so check back often and please SUPPORT THE ARTISTS! Here's a handy link to 125 Records where you can buy some latterday Millerstuff (including his fantastic book 'Music: What happened?')

See you later, hepcats

Painted Windows

PS Major thanks to everyone at Lost In Tyme for putting this up 'back in the day'

10CC Live1975 and 1976

I love 10CC. No, you don’t understand, I LOVE 10CC. They were the first band I ever saw live, ‘The Dean and I’ was one of the first pieces of Pop music I ever got excited about and when it comes to their first four albums, my critical faculties go out of the window and I just gush superlatives. I love 10CC. You need to know that.

10CC were one of the biggest selling bands of the 70s in the UK. They were responsible for a string of top 10 albums and a consistent run of innovative, dazzlingly different and beautifully performed singles. And yet, whenever one of those ‘Weren’t the 70’s great with all the Chopper bikes and Spangles and Spacehoppers and stuff’, space filling TV list shows is made, 10CC are conspicuous by their absence. If you’re lucky, you might get a be-permed Footballer confessing to enjoying ‘I’m not in love’ but that’s yer lot. Now that is what I call a bloody raw deal. I have no idea why they have been clipped from history…too normal? Not glam enough? Not controversial enough? – and before anyone says 'too clever', just think about those words…if we’re living in a society where a surplus of intelligence is considered to be a bad thing, then I’m off…

Rant over

The four albums the Godley/Crème/Gouldman/Stewart line up made are all brilliant. If you compile a list of the 50 greatest 70s albums and you miss one of them out you are wrong. Wrong. Predictably, when the original line-up split in two, the level of excellence couldn’t be maintained – Godley and Crème missed the discipline of Stewart and Gouldman and they in turn, missed the Art School inventiveness of Godley and Crème. Both halves made great music – ‘Deceptive Bends’ is better than it has a right to be and once Godley and Crème had got the unwieldy but sporadically superb ‘Consequences’ out of the way, they went on to make some fascinating recordings. (1978’s ‘L’ is a genuine lost classic).

Knebworth 1976 Poster

So what? You say. My first reply is ‘How rude!’ My second reply is ‘They were flippin’ brilliant live, too!’ But there are precious few bootlegs or genuine live recordings to back this up. On video there is a fantastic August ’74 gig filmed by the BBC, already available in Blogland. (I’ll put that up here if there’s a demand). Otherwise, we have to make do with a rather weirdly assembled ‘King Biscuit’ release – recorded in 1975 and released in ’98, this Santa Monica gig has been edited to remove any material from the album they were promoting – ‘The Original Soundtrack’. In fact, I’d had this album for about six months before I realised that this wasn’t a show from 1974. Well boys and girls, as a public service, I’ve included the full gig for you, with the post ’74 stuff back on. And guess what…it’s amazing. The most mind blowing thing is the encore – when most bands are happy just to sleepwalk through an off key version of ‘Johnny B Goode’ with one eye on their stash and the other eye on the groupies, 10CC choose to end the night with ‘Une Nuit A Paris’ – their most complex and intricate piece. Lightweights they are not. The other show I’ve included is the last performance the fantastic four (plus longstanding drummer Paul Burgess) ever did – supporting the Rolling Stones at Knebworth on August 28th 1976. The recording comes from a boxed set (now deleted, I believe) produced by promoter Freddie Bannister which included a bunch of audio recordings, some DVDs and a fascinating book about his life promoting the Knebworth Festivals and beyond. The 10CC audio is pretty rough, but it’s still essential and features the then unreleased ‘Good Morning Judge’. I’m getting misty eyed typing this….

I know this ain’t Post-Punk or Alt-Rock or even PowerPop, but people need to hear this music. This band have been shunted into a corner and marginalised and that is not right. I would agree that these recordings might not be the perfect introduction (never have a major band been so poorly served by record companies…where’s the boxed set? Where’s the rarities compilation?) – I would steer first time listeners to their best work – ‘Sheet Music’. There are more hooklines in ‘The Wall Street Shuffle’ than some bands write in a career.

I Love 10CC…and you should too.

PS - If you look to the Right at 'Rushbo's Guide', I've included my (sadly unsuccesful) proposal for a 33 1/3 book on 'Sheet Music'.

Wednesday, 2 February 2011

More Bonus Todd: Somewhere/Anywhere?

Just a quickie to tide you over - Yep, as Todd’s all over the place at the moment, here’s a bit more. I don’t think it’s jumping on the bandwagon, but getting on the winning team…

Here’s a Japan only rarities compilation from 1998 – lots of lovely stuff here. It’s going for silly money on the InterWebs, but it’s my gift for you.

See you in a few days…